- Dracula AD 1972, directed by Alan Gibson; starring Peter Cushing and Christopher Lee. Distributed by Columbia-Warner.
- Dr Phibes Rises Again, starring Vincent Price; directed by Robert Fuest. An AIP release, distributed by Anglo-EMI.
- Tales From The Crypt, starring Peter Cushing, Sir Ralph Richardson, Barbara Murray et al; directed by Freddie Francis, Released by Cinerama Releasing (UK).
In terms of horror, the most convincing and chilling is Dracula, in which the celebrated Count is brought back to life, amidst a present day Kings Road, Chelsea setting. The Dracula blood sucking scenes are as erotic and eerie as ever, while the Kings Road background enables the film to make some cynical comments on the plastic Chelsea scene.
Tales From The Crypt is composed of several short tales involving the evil thoughts of five very English, bourgeois people trapped with a shaking Sir Ralph (dressed in monk’s habit) in an underground crypt. The evil people are all very obviously money mad, wealthy and establishmentarian, and the film is really an attack on these values. In a way the philosophical ideas are so subtle that they might in fact escape the average cinemagoer, and this is really the reason for the introduction of the horror sequences, which are nearly all irrelevant to the ideas of the story, and grossly over-edited. A good film if you can quietly absorb its leftish ideas which are very subtly transmitted.
Dr Phibes Rises Again is a veritable farago of very camp 1930s pastiche, art-deco sets, trippy colours and eccentric characters, all of whom land up in and around Egyptian mummies, searching for the elixir of life. Sarcastic and very entertaining.
Real horror and reality returns with a jolt in Johnny Got His Gun, starring Jeff Bridges and Donald Sutherland; written and directed by Dalton Trumbo (one of the ten Hollywood writers blacklisted by McCarthy) and distributed by the Rank Organisation. A stern, bleak and very upsetting anti-war film about a young American who while fighting somewhere in the trenches in Europe during the first world war, loses his legs, arms, sight, hearing and the parts of his brain which help him to speak. A maniac doctor decides to keep him alive as a kind of scientific curiosity, and locks him up in a small dark room. But he hasn’t lost his feelings or his memory, and he spends his time thinking back to his life in small town America, which seems as futile as war and the vegetable it has made him. He eventually manages to communicate with one of the nurses by tapping his head on a pillow in morse code. The words “Kill me. kill me.”
A sad poignantly, horrific film. Not to be missed.