ORDER OF ASSASSINS (The Psychology of Murder) by Colin Wilson. Published by Rupert Hart-Davis, £2.25.
Completing Colin Wilson’s ‘murder trilogy’ is Order Of Assassins. The earlier two works were An Encyclopedia of Murder and A Casebook Of Murder. This new volume examines ‘motiveless’ murder, as opposed to the ones committed for economic, passionate or some other definable reason.
Wilson convincingly argues that ‘murder committed for its own sake’ is very much a phenomenon related to the individual’s lack of self-fulfillment and to frustration due to low self-esteem, as well as the obvious tendencies to space-age living to take away any possible ‘adventure’ out of life. The author believes that the ‘will-drive’ is the most important potential force in a man or woman and when this is frustrated it deprives the individual of needed self-expansion and drive.
He notes too that psychotic violence is swiftly becoming one of the most terrifying problems of our age. As the people of the ‘developed’ countries progress from the basic problems of having to gather in the material necessities of life, this leaves the average person with more time to explore his or her own areas of existence and development. To some, the lack of material problems, the banality of urban living, the need to create — amongst other functions – helps decidedly to turn some individuals into walking death machines, capable of the most horrific and violent crimes imaginable.
Wilson also argues that to describe, or categorise, tha deeds of the ‘Moors’ killer, Ian Brady, the novels and ‘fantasies’ of de Sade, as well as the Manson ‘family’ slayings, as being just sadistic, or fulfilling a sexual perversion, is to miss the point. It is in fact all too easy to dismiss these crimes with these labels. The author insists that these fantasies and murders are the perpetrator’s attempts at self-assertation, due – as said earlier – to the frustration of the ‘will-drive’. Whereas an artist can satisfy his/her inbuilt creativity by painting, this new type of killer has no such outlet. He/she is aware of their own ability to create – to assert – but cannot find the medium through which to express the ‘will-drive’.
Throughout the book, Wilson illustrates his arguments and ideas with numerous examples of ‘motiveless’ murder, each adding to the pattern of events which leads him to suppose that this problem needs serious investigating and re-thinking before society can attempt to check the growth of the ‘new assassins’.
An example of what I understand Wilson to be getting at is possibly what the alleged killer of Sarah Gibson, who was murdered at the Royal Automobile Club in Pall Mall, London, last July, wrote anonymously to the police. He said: “I found a strange sense of power in depriving a body of life”. Surely a sex-killer would have just gloated over the sexual outrages he committed on the lifeless body. It seems as if the real motive for the unnecessary killing by the alleged murderer David Froom, was an act of self-assertion — a destructive act of creation to satisfy an inner craving.
Order Of Assassins is a powerfully relevant book by one of the most important ‘thinkers’ writing today. Colin Wilson’s message is more than just a warning, for it is also an indictment of twentieth century life and its lack of creative evolution.
The answer is certainly not what happened to the corpse of the rooftop gunman in New Orleans recently. After killing the assassin with armour piercing bullets, the lifeless body was riddled with more shells of the type mentioned for another three or four minutes, till it resembled a refugee from a butcher’s shop rather than a dead human being. The question is, why did this 23-year-old man invite death and why did he decide to kill as many others as possible before he met what almost certainly was his inevitable fate? ‘Motiveless’ murder?