Theatre For Christmas

Someone in the editorial collective decided it would be a nice idea if I would select what I thought were suitable shows for our readers to see at Christmas, as that’s the time of year a lot of folk take an occasional visit to the theatre. Firstly take into consideration that we go to press 3 weeks before the actual Christmas week so do check the daily papers to ensure the show you wish to see is still running.

Now it rather depends on the type of show you want to see, and who you are going to take along (if anybody) so I’ll try and categorise those that I consider the best ones.

If you are considering taking along a parent, aunt or anyone approaching middle age, settle for GONE WITH THE WIND at Drury Lane Theatre which has enough glamour to appeal to them, or if you feel a straight play would be preferable I suggest one of the following:

LLOYD GEORGE KNEW MY FATHER at the Savoy Theatre which is a light comedy not likely to offend anyone, and skilfully played by Celia Johnson and Sir Ralph Richardson. Another safe bet is CROWN MATRIMONIAL at the Haymarket Theatre which is the story of Edward VIII’s abdication and would especially appeal to people over 40 who can recall the era when this story took place, and THE DAY AFTER FAIR* at the Lyric Theatre stars the lovely Deborah Kerr in a charming romantic drama.

There are quite a few shows that you can take a child to and that won’t bore you in the process. TOAD OF TOAD HALL is playing at the Jeanette Cochran Theatre, ALICE IN WONDERLAND performed by 10 foot puppets at the Mercury Theatre, Notting Hill Gate sounds interesting, and a new musical version of THE WATER BABIES is due at the Cambridge Theatre, starring Neil Reid of ‘Opportunity Knocks’ fame, with music by John Taylor, the talented composer of ‘Charlie Girl’.

If just you are involved in this theatre trip then let me first mention what is still, in my opinion, the best straight play in town, THE PHILANTHROPIST at the Mayfair Theatre. This forerunner of ‘Butley’ is also set in a college and is likewise all about one of the ‘losers in life’ and it’s an extremely enjoyable evening. Certainly the next best production in town must be LONDON ASSURANCE* at the New Theatre. If you fancy a ‘period piece’ and enjoy first class ensemble playing, this cannot be bettered. My third choice for straight theatre is undoubtedly PRIVATE LIVES at the Queens Theatre, for its witty script and star performance by Maggie Smith, but whether or not you’ll be able to get a seat is another matter entirely.

Which leaves us with the musicals and one revue. HULLA BALOO* at the Criterion Theatre is a fun evening and Rogers and Starr with their blue tinged material will give you a lot of laughs. The two religious musicals are still with us: GODSPELL* at the Wyndhams which I found delightful, and JESUS CHRIST SUPERSTAR at the Palace Theatre, which I didn’t care for but everyone else did so I might be wrong. THE DIRTIEST SHOW IN TOWN* is still running at the Duchess Theatre and though I missed a few of the jokes along the way I found it at all times enjoyable. APPLAUSE at Her Majesty’s Theatre is hard to get tickets for, but worth the effort to enjoy Lauren Bacall’s star presence, and as we go to press Tony Newley’s latest musical THE GOOD OLD, BAD OLD DAYS is about to open at the Prince of Wales Theatre and if the score is anything to go by ought to be worth the visit.

One last word regarding theatre prices which are getting higher each year. If you really find front stalls too expensive, but don’t care to be sitting a mile away, I can recommend the back dress circle at those shows marked * as not being too expensive and not too far away. Also the back stalls at Mayfair Theatre for THE PHILANTHROPIST are inexpensive and of course both the Jeannetta Cochran Theatre and Mercury Theatre with their children’s shows are reasonably priced.

Dilly ‘N’ Starr

HULLA BALOO at the Criterion Theatre, Piccadilly

Good news for fans of those talented drag artists Rogers and Starr is that they are now to be seen in the West End in a new revue HULLA BALOO. Harold Fielding had the unusual idea of pitting the combined talents of these two with local comedian Jimmy Edwards and that ‘Laugh-In girl’ Chelsea Brown, and it works well.

The curtain rises to show a public convenience with 3 cubicles on either side of the stage and that more or less sets the tone of the humour for the rest of the evening. Rogers and Starr score early on with one of their popular numbers ‘Rape’ and again in the second half with their famous ‘Beyond the Freud’ number which was so popular with the audiences at the Hampstead Theatre Club where they had 2 successful seasons of late night revue 2 years running. Roy Starr repeats his amusing ‘Dear Marje’ takeoff of Marjorie Proops, and Michael Rogers follows with his rather cruel Dietrich impersonation, descending the toilet stairs impeccably gowned in a transparent salmon pink shimmering dress.

In the second act the two of them proceed to demolish ‘Gone With The Wind’ with their hilarious portrayals of Mammie and Prissie the maid. It was interesting to note how enjoyable Jimmy Edwards can be when he stops ad-libbing. His talk on gardening ‘Are you listening, Mary Whitehouse?’ involves some useful information on the growing of roses: ‘First get your beds ready, go easy with the trowel and don’t give ‘er more than 5 inches to start with…’ and he gets good participation from the audience with his song about Enoch Powell. Chelsea Brown looks good and has several numbers to sing, including the title song, an obscure Duke Ellington number ‘Tulip or Turnip’ and one of Michael Rogers’ own songs ‘Powder My Back’.

Giving good support to the stars are two goodlooking boys, Ted Merwood and Roy North, and the talented Marcia Ashton, well known to fans of the Roy Hudd Show on TV and to anyone with a long enough memory as the star of the original production of ‘Cranks’ – nice to see her back in town. The finale involves a hilarious song all about Bums, titled THE END – AND A SONG IN PRAISE OF IT featuring Rogers and Starr in fabulous white creations cut low at the back to expose both their pretty behinds. A fun evening tinged with blue humour, but nothing to really offend anybody.