The Wrong People

Shooting of the film version of Robin Maugham’s famous gay novel “The Wrong People” will start early next year. The screenplay has been written by Murray Smith and the film will be made entirely on location in Morocco.

Hollywood star Sal Mineo, who now lives in London, will be directing the film. This is his first appearance on the other side of the camera.

The story of ‘The Wrong People’ tells of a rich gay living in Tangiers, who uses his influence on a timid, closeted schoolteacher to procure him a boy from the approved school at which he teaches.

If the screenplay does not differ too much from the original, it should make for an interesting movie and give our censor of celluloid a few headaches.

The Boy From Beirut

There had been no time to change into uniform after the day’s walk. And now as I walked back after a late dinner with some friends to the flat I shared with a friend, I was mildly hoping I would not meet the Provost Marshal, when I observed a civilian leaning over the side of the little bridge which spans the Barrada. I noticed him because for a moment I thought he was going to throw himself into the water, and it occurred to me that since the Barrada is only a few geet deep at that point he could be extricated easily. However, as I walked closer to the bridge I saw that he was looking not at the water but towards the gharry horses on the other side where drivers waited for stray fares. As I crossed the bridge he greeted me in Arabic.

“Good evening.”
“Good evening to you.”
“You speak Arabic?”
“No. Only a little.” I began to move away.
“Are you an officer?” From his black suit and tie I guessed he was an Arab waiter from the hotel.
“Do you speak French?”
“Why did you stop when you saw me standing on the bridge?” He spoke French with only a slight accent.
“How did you know I stopped?”
“I was listening to your footsteps.”
“I just thought of something, that’s all,” I said evasively. He turned round and stared at my face.
“You’re sure there was no other reason?”

It was my turn to stare at him.

“What’s it to do with you if there was.”

He smiled nervously. I noticed as he smiled that he was quite young – only about twenty-three or so. I had thought, perhaps from his neat dark clothes or perhaps from the little sags of flesh under his eyes, that he was older.

“Excuse me, please, if my question was indiscreet.”
“Indiscreet?” I felt I was getting out of my depth.
“Yes. There obviously was a reason.” For a moment I could think of nothing to say.
“Please tell me what it was,” he said. I checked a stupid impulse to run away and forget I had ever seen him.
“Oh well, if you insist. I thought you were going to jump in.”
“To kill myself?”

He laughed, rather pleasantly. He sounded relieved of some worry.

“You have never seen me before?”
“Never in my life.”
“And I have never seen you before in my life,” he said, smiling up at me. He was small and delicately made, more like a bedu than a Syrian, with wide eyes and a firm mouth. But his hands twisted nervously together as he stood looking at me.

“You wonder now what my question was about,” he said in such a friendly way that I did not like to rebuff him. Besides, I was rather intrigued.

“What was it about?”

The haunted look had vanished, and he was now almost cheerful.

“I had never seen you before, but I wanted to know if you had seen me before,” he said. “But how could you have seen me if I did not see you?” he asked smiling.
“In lots of ways. You might haye been looking the other way, for instance.”
“In lots of ways. That’s it. In lots of ways. I might have been asleep.” He seemed to relish his mystery.
“Will you have a drink?” he asked suddenly.
“I think every place is shut.”

He fished in his coat pocket and produced a half bottle of brandy.

“There’s a coffee place still open where the drivers go. We can drink this there if you like.”

I hesitated. I was not dressed as an officer.

“All right.”

The dingy cafe was not far from the bridge. I ordered two Turkish coffees and two glasses.

“At least the coffee is on me,” I said as he poured out the brandy. “That’s enough. Really.”

“I’ll show you how to drink this stuff.” he said, and poured himself out a full tumbler.
“A la vôtre.” He drank deeply.
“What’s your name?”
“How old are you?”
“Twenty-one,” he said. “How old are you?”
“Twenty-six. Do you work in Damascus?”
“I used to. But now I work in Beirut. I have only come here to see my mother. Tomorrow I shall return to Beirut.” He swallowed another gulp of brandy. His face was flushed and his fingers writhed nervously.

“Are you a Christian?”

He saw what I meant and smiled. “Yes. But nowadays many Moslems drink.”

“I know. What is your job?”
“I work in a shop.”
“What kind of shop?”
“I work in Beirut.”
“But what kind of shop?”

He did not seem to hear my question. Suddenly I saw that his hands were trembling. I looked up at his face. He was staring at a gharry driver sitting at the next table, I glanced at the driver. He was a stout, red-faced man in a tattered black coat. There was nothing frightening about him. I turned to Faris. Then I noticed he was not staring at the driver but at the whip which was leaning against the wall by the man’s table.

“Faris. Faris.”
“Yes?” He turned away with an effort. “What kind of shop do you work in?”
“Do you see that whip?” he said. He was breathing heavily.
“Oh, it is cruel, cruel. Look out of the window. By the lamp-post, do you see that horse? Look at the way the haunch bones jerk out of its flesh. Look at the skeleton of its ribs. And if a fare comes the driver will lash it into a trot with that whip. He will lash it until blood comes.”

He paused for a moment, staring wildly.

“You want to know about me, don’t you? Well, I’ll tell you. I was born on a farm. I grew up with animals. I was the only child and I had no friends to play with. But the animals were my friends, and my parents who were good Christians taught me to be kind to them. When my father died the farm was sold and my mother brought me to Damascus. I was about twelve years old and I remember quite well I was standing one wet day on that bridge where we met, when a horse pulling a gharry slipped and fell. The driver leapt down with his whip and began slashing it. The frightened horse stumbled again and sprawled on the ground. The driver got furious and struck it horribly with his whip. I was frightened. But I could bear it no longer. I rushed to the driver and begged him to stop. I tried to snatch the whip away from him. Then he raised his whip and slashed me across the face. And while I stood dazed he slashed at my chest. I ran away crying to my mother, who told me that men were cruel to animals because no-one had taught them that animals are our friends. I promised that evening I would dedicate my life to stopping cruelty to animals.”

He drank deeply and coughed. His eyes were glittering.

“As the years went by I discovered and tried to stop all kinds of cruelty to animals. In the east we treat our animals far worse, I am told, than you do. I fought against this cruelty. You have no idea how many devices men have for being cruel to beasts. There are the long raking whips of the gharry-drivers, the spiked goad for the poor little donkey, the sharp thong for the mule, the bar of nails attached to the camel’s cheek so that it must follow the caravan or the nails stick into it, and the long spurs of the riders. All these I tried to stop. I tried to prevent animals being beaten beneath their load day after day until they dropped dead. And when I got tired or despondent I would think of that horse on the Barrada bridge. I would think of the blows raining down on its heaving flanks, and I would go on working. I met others who felt as I did in a society for preventing this cruelty, and gradually we began to make progress by teaching drivers that animals were their friends and by stopping, partially at least, the manufacture of some of the more cruel devices.”

He lowered his voice so that it came out with a curious hissing sound. His fingers never stopped writhing together as he spoke.

“A year ago my friends made me join a political youth club. Previously I hadn’t been much interested in politics, but at this club I saw for the first time the importance of laws and freedom. It was as if I had lived all my life without being able to see the stars and the moon but now could observe them for the first time. I now had a second cause, the cause of my country’s liberty. I volunteered to take a part in the demonstration which was being planned. Well, I dare say you heard about it. The crowd got out of control. There were accidents and property was damaged. That night three members of our committee were arrested by the French police. I was one of them. They wanted the names of the rest.”

All his limbs were trembling now, and his eyes were staring horribly into the comer.

“I was put into a cell by myself. The door was slammed, and I was left alone until noon the next day, when a soldier came in and fastened a bandage tight around my eyes.

“‘What’s that for?’ I asked. He said I would see in time. He told me to strip. Then I understood. I was going to be beaten. The bandage was so that I could not see who was beating me. The soldier tore the last clothes from my body when he heard footsteps approaching the door. Then I heard a click as the door opened. I heard the stamp of his feet as he sprang to attention. I heard two people, two people, walk into my cell.”

His voice had sunk into a hoarse whisper, and his hands were clenched together.

“Then I heard one of them say, “’Quel joli buste a fouetter!’”

I started. The whole timbre of his voice had changed. The accent was so perfect and vivid that for a moment I thought I recognised the voice.

“What a nice body to beat!” he repeated.

“Then I heard the whistle of the whip as it screamed down on my naked body, and my flesh was seared with pain. I tried not to cry out, but the anguish was terrible as he lashed into me. Then suddenly as the fresh bars of pain pierced me and I felt the blood trickling down my sides, I thought, ‘This is how the poor horse feels when his flanks are slashed by the driver. My body is quivering like his. Blood is oozing from me as I have seen it from him.’ Then I must have lost consciousness, for when I woke up sticky with blood I was alone.

“I could recognise the voice of the man who beat me. The other man never spoke. The soldier told me it was an English officer, but I think he said that because he knew I liked the English. But I’m never sure. I’m never sure.”

He gulped down his brandy. “If you’ll excuse me. I feel rather ill. I think I should go home,” he said thickly.

We got up. He stood trembling by the table.

“After a bit they got tired of beating me about, and I was released. I returned to Damascus.” He was still still staring at the whip.

“The next day I was walking along the street when I saw a driver slashing at his horse. As I ran forward to plead with him, and if that failed, to wrest the whip from him by force, suddenly I thought, ‘That horse might be me and it isn’t’. And I …”

His voice came in hoarse gasps.

“I was glad. I was glad. Suddenly I wanted to say to the driver, ‘Go on. Lam into him. Slash him hard.’”

He swayed a little and buried his face in his hands. Then he looked up with bloodshot eyes.

“Perhaps I’ll get decent again. Perhaps one day I’ll look at those starved horses on the bridge and feel as I did as a boy. It was all right then. I hated it then. I swear I did. I’ve come out the wrong side now, that’s all. I’m just vicious. And I work in the right place.”

He began to retch, and stumbled to the door. I tried to help him.

“Leave me alone, I beseech you. Good night.” he said quickly, and rushed away.

The squalid proprietor came in to be paid for the coffee. He spoke in French so I asked him if he knew where Faris worked. He gave me a wink.

“I don’t know if you’d call it work. He’s the boy in a brothel in Beirut.”

Robin Maugham

The Boy From Beirut is taken from The Black Tent and Other Stories by Robin-Maugham. Edited and Introduced by Peter Burton, to be published by W. H. Allen in the Autumn, 1973.

Horror Wave Sweeps Earls Court

Picture has been edited as the age of the subject is not clear.Look out. Here it comes. It’s the biggest Gay News the world has ever seen. The next Gay News is a monster. It’s the only issue next month, so we’re making it special. The Great Christmas Issue Conspiracy has been uncovered. Reports reaching here suggest the paper published on December 13 will be so packed with goodies you won’t be able to put it down for a month.

It stars Peter Straker (in a Gay News exclusive interview), Robin Maugham (a story that’s never been published outside Gay News) and Judy Garland (an exclusive look through the tinsel at the lady behind the legend). Plus news, reviews, games, fun and entertainment guides.

Special guest star: the entire script of the gay sketch the BBC banned from its top rating comedy show. Know what we mean?

With a goodie like that coming your way you owe it to yourself to order your Christmas Gay News from your newsagent or by sending a cheque or PO (made payable to Gay News Ltd) to Santa, Room 1, Gay News, 19 London Street, London W2 1HL.

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Don’t be alone in enjoying the monster Christmas Gay News. Give a friend a little pleasure from December.

No matter w your friend lives we’ll help you, and we’ll go on helping you give that friend a little pleasure every fortnight next year.

Pleasure means Gay News. Christmas means presents. Give your friend a subscription to Gay News for Christmas.

Remember make it special and start the subscription with the monster Christmas Gay News.

I enclose £1.20 for 10 issues/£2.30 for 20 issues. Start with issue …………….

(Copies are posted in a sealed envelope). Please make cheques/postal orders payable to Gay news Subscriptions, and send to 19 London Street, London W2 1HL. Tel: 01-402 7805

Getting In Early

Robin Maugham, author of “The Servant” and nephew of Somerset Maugham, wrote his life story in his early middle age because “most writers leave it until senility sets in before even starting on the autobiographies.”

In an exclusive interview with Gay News he said: “I chose this time to write about my life because I think many people leave their autobiographies too late. Either their mentality’s gone or their energy’s sapped. Anyway, they’re insipid.

“I found it terribly hard to write about my sexuality. It was worst writing about the girl I married. I sent off the manuscript to her, and she sent it back to me and said I’d been terribly hard on myself.

“I think the normal person, male or female, is bisexual. I do think far too many people label someone as queer whereas they are bisexual. I would like to think that I have done some tiny little bit to make things better in England.”

Many of Robin Maugham’s works attack the English Establishment, but he’s very much a product of English society.

He says: “Surely it’s possible to be pro-England and anti-Establishment.

“Like many young men who were conscientious objectors during the war, I went off to fight for England. I feel that sort of patriotism.

“But I feel it’s more than silly that I’m only allowed to spend 90 days a year in the country one loves.”

During 1972 Robin Maugham was allowed to stay in his beloved mother country for only 20 days. He says: “I love England and it’s terrific in summer to see all those boys … and girls … wandering around in those marvellous clothes they have these days. But the country has some silly totting-up system, and because of an operation I had here and my two heart attacks, I’m not allowed to stay here more than 20 days this year.”

When Gay News met Maugham he was on his way out again. This time to Ibiza – where he does most of his writing – with his unpretentious entouragette of Peter Burton (who was Jeremy’s best friend, once) and Michael Davidson, who wrote The World, The Flesh and Myself (an early gay book, a sort of Around the World in 80 Boys).

Robin Maugham doesn’t do much writing in England these days, if only because his 90 day sojourns aren’t long enough to keep the author of the Servant among other things, busy. But his autobiography had to be written in Ibiza, he found.

“I found it a lot easier to write about my life at a distance from English society, especially the bits about my homosexuality.”

To save his old friends and their lawyers trouble and distress, Maugham invented “Jim” as a name for his lovers in the autobiography

What was life with Jim like? Maugham answers: “I thought of the device of Jim, so I used Jim, and Jim became almost real. Peter and I felt we knew him in the end.

“Christopher Isherwood in a letter to me says Jim was one of the best things I’ve written.”

The middle-aged man hung on the swivel chair is the nephew of Somerset Maugham, as well as being an author in his own right. “I was influenced by the people around Willy as much as by Willy himself. There were E.M. Forster, G.B. Stone and Harold Nicholson, with whom I had a deep relationship.

“Willy was a very good man and friend earlier on, but in his declining years he became a bit of a monster, and that’s what everyone remembers him as, unfortunately.

“When I had my first novel published at the age of 19, he switched from helping me to almost a positive dislike.”

The reason why Robin Maugham prefers to work in Ibiza is encapsulated in a sentence of Harold Nicholson’s he quotes: ‘Most English writers have a constant nursery governess looking over their shoulders.’

The governess who cramps English writers is English society, and “the English establishment is changing again, in its usual way. Not by revolution but by evolution.

“But it hasn’t changed much yet. Some female said in The Sun that my book was disgusting and obscene. I can only take that as a compliment.

“When Willy published his first novel in 1897 a writer for Vanity Fair wrote, and I’m translating from Spanish now, ‘Mr Maugham must abandon this type of wrok. He has put his nostrils in the gutter and come out with filth.’ That may not be strictly accurate but it’s a translation of a translation.”

Many of Maugham’s books are travel books. That’s why there’s so little about places in his autobiography. He says: “I’ve been bored very, very seldom, largely because I have had amusing friends.”

Life in Ibiza is ordered for Maugham and his circle. He says: “I get enormous satisfaction from working fast, and every time I finish a book I always feel I’ll never be able to start another.

“I go to bed at what you might call a ridiculously early hour, so I can get up and write early.”

Peter Burton, who’s been silent until now, says: “Do you remember when we celebrated New Year at five in the afternoon?”

He does. The taxi arrives to take him to the airport. The last question, what was the most difficult part of your life to write about?

Maugham says “The end. Writing the end had tears streaming down my face.”

Robin Maugham’s autobiography Escape from the Shadows is published by Hodder and Stoughton. £3.50.

Light in the Shadows

Robin Maugham’s autobiography “Escape from the Shadows”. Published by Hodder and Stoughton at £3.50.
ALSO “Testament: Cairo 1898” his latest short story published by Michael de Hartington Publishers.

Robert Maugham belongs to that legion of writers who have emerged from the English right wing establishment, and who while holding on to their traditional political and social values and ideas of sexual propriety, have managed to write brilliant books which seem to invalidate them, “The Servant” being the most famous of these in Maugham’s case. This seems terribly schizophrenic and this is just what he is as we learn from quite early on in his autobiography, when lie introduces us to “Tommy” who all through childhood and adolescence is the rough, tough, games playing, fucking girls Robin, and later on a daring soldier, war tactician, captain of a tank regiment, personal friend of Churchill. In between times the other Robin is homosexual, a musician, scholar and eager to emulate his famous uncle Willie and become a famous writer. Thus he has a tremendously varied life and his book is fascinating reading.

The “escape from the shadows” is his gradual departure from fearing and hiding his homosexuality, from which he has now almost escaped, his father a stem lawyer, who was obsessed with the idea that his son must follow his profession, and his uncle William Somerset Maugham, who wasn’t nearly so great an influence in Robin’s life as one would suppose. More so it was the people Robin met on his visits to his uncle’s chateau: Harold Nicholson, T. S. Eliot, Noel Coward and many others. One almost feels at some points in the book that he’s indulging in name dropping, what with his long passages on Churchill and Gilbert Harding et al, but he’s not being a William Hickey; he is pointedly honest about these people and their weaknesses and difficulties, rises and falls.

It becomes clear in the last sad chapter that he has written his autobiography at the comparatively tender age of 56, because he believes he is dying. He has diabetes and a heart condition; he is lonely and lives only to write, his boyfriend Jim whom he met in what he persistently calls a “queer” club, who lived with him for 20 years has gone. He seems drained of the vitality which made him surge through so many different avenues of life when he was younger.

This book is compulsive reading if you have enjoyed Robin Maugham’s work, or if you are interested in his uncle W’s work or the host of famous literary and political figures he has come into contact with and about whom he writes both honestly and entertainingly. And of how a man who has the advantages and freedom money and upper class privilege can buy, has to struggle with his sexuality for so long.

“TESTAMENT: CAIRO 1898” tells the story of a young soldier, who, while in hospital after being injured, finds himself in a bed next to a young, sensitive, sixteen-year-old who, needless to say, he falls in love with, with shattering results. He knows the boy is gay because they visit a brothel together and he can’t get an erection with a girl, and of course the boy is friendly and charming to him and he is absolutely sure that he is going to want to go to bed with him. After an age, this opportunity comes and after one caress, the boy struggles, screams and pushes him away – all our nightmares. At this point our hero, saddened and angry, pays a young Arab boy to sleep with him, and of course they fall in love. It sounds dreadfully corny, and I suppose it is, but so beautifully, feelingly, skilfully written, that I completely forgot to treat it as an entertaining fantasy, and took it absolutely seriously.